Thursday, December 15, 2016

Pilot Review: Star

Star (Wednesdays at 9:00 on Fox, Beginning January 4)

ABC has Shonda Rhimes. NBC has Dick Wolf. CBS has Chuck Lorre. The CW has Greg Berlanti. Now Fox has Lee Daniels, the latest talent to be tapped for branding on the network following the monster success of Empire. Unfortunately for Fox, the Daniels brand is already starting to sour; Star isn't nearly as successful in this subsequent attempt to capture the passion, energy, and lightning that made Empire must see TV in its first season.

Wednesday, November 30, 2016

2016-2017 Midseason Schedule: CBS



8:00 - Kevin Can Wait
8:30 - Man with a Plan
9:00 - 2 Broke Girls
9:00 - Superior Donuts (NEW - Beginning February 6)
9:30 - The Odd Couple
9:30 - 2 Broke Girls (New Timeslot - Beginning February 6)
10:00 - Scorpion

For the time being, the Monday night lineup remains in tact. Both Kevin Can Wait and Man with a Plan received full-season orders, but The Odd Couple, for its third season, did not. With only 13 episodes, it will have aired its entire episode order by the end of January; new comedy Superior Donuts, a late addition made after CBS gave its upfront presentation last May due to a retooling and recasting, will move into the lineup at 9:00 on February 6, following a special premiere after The Big Bang Theory on February 2, with 2 Broke Girls shifting back a half-hour to 9:30. A description of Superior Donuts can be found at the end of this post.


8:00 - NCIS
9:00 - Bull
10:00 - NCIS: New Orleans

With Bull's full-season order, the Tuesday night lineup will also remain the same.


8:00 - Undercover Boss (New Timeslot - Beginning December 21)
8:00 - Hunted (NEW - Beginning January 25)
8:00 - Survivor (Beginning March 8)
9:00 - Criminal Minds
10:00 - Code Black
10:00 - Doubt (NEW - Beginning February 15)
10:00 - Criminal Minds: Beyond Borders (Beginning March 8)

Old faithful Undercover Boss returns for a short season at the holidays with a two-hour premiere on December 21, before seguing into the new reality competition Hunted, which is basically the most epic game of manhunt ever. It will premiere after the AFC Championship game on Sunday, January 22 before moving to Wednesdays later that week. Survivor reclaims its timeslot a few weeks later than usual with a double-episode premiere on March 8. Code Black, which has only a 16-episode order for its second year, will vacate the schedule early to make way for the new Katherine Heigl legal drama, Doubt. Criminal Minds stays put amidst the chaos.

UPDATE: Doubt has become the first show of the entire 2016-2017 season to be pulled early from the schedule. Canceled after only two airings, it will be replaced by the return of Criminal Minds: Beyond Borders.


8:00 - The Big Bang Theory
8:30 - The Great Indoors
9:00 - Mom
9:30 - Life in Pieces
10:00 - Pure Genius
10:00 - Training Day (NEW - Beginning February 2)
10:00 - The Amazing Race (Beginning March 30)

New drama Pure Genius is the only fall CBS series which did not receive an order for any additional episodes, so it will wrap its 13-episode run early, making way for Training Day, the latest film-to-TV adaptation, this one based on the Oscar-winning Denzel Washington film.

UPDATE: Training Day moves to Saturdays at 10:00 beginning on April 8. The Amazing Race replaces it on Thursdays.


8:00 - MacGyver
8:00 - Undercover Boss (Beginning April 28)
9:00 - Hawaii Five-0
10:00 - Blue Bloods

While MacGyver has had a large drop-off from its great premiere, it has definitely reinvigorated CBS's Friday nights. Hawaii Five-0 is up over last year thanks to the compatibility and extra eyes on the newbie, and Blue Bloods is all the stronger for it as well. Undercover Boss will replace MacGyver at the end of April, airing for new episodes through the end of the season.


8:00 - NCIS: Los Angeles
9:00 - Madam Secretary
10:00 - Elementary

Once February rolls around, CBS will no longer have to worry about football pre-emptions on Sunday nights, so we'll finally get to see just how this lineup is really doing. Elementary especially has a lot of ground to cover if it hopes to survive to next season.

Also of note, CBS announced it will be airing the Canadian co-production Ransom, "a crime drama about a world-renowned crisis and hostage negotiator whose team is brought in to resolve the most difficult kidnap and ransom cases" starring Luke Roberts and Sarah Greene, on Saturday nights at 8:00. It's an odd move when the show could have simply been saved for summer, but I suppose it's low-risk (and low-cost) enough to try something like this. Ransom premieres on January 1 before moving to Saturdays on the 7th.

Superior Donuts follows the relationship between the gruff owner (Judd Hirsch) of a small donut shop, his enterprising young employee (Jermaine Fowler), and their loyal patrons, in a quickly gentrifying Chicago neighborhood. Based on the play by Tracy Letts, the comedy also stars David Koechner, Maz Jobrani, Anna Baryshnikov, Darien Sillis-Evans, Rell Battle, and Katey Segal.

Sunday, November 27, 2016

Midseason Schedule 2016-2017: ABC



8:00 - The Bachelor (Beginning January 2)
8:00 - Dancing with the Stars (Beginning March 20)
10:00 - Big Fan (NEW - Beginning January 9)
10:00 - Quantico (New Timeslot - Beginning January 23)

 Quantico, which is averaging almost exactly the same ratings as Conviction (0.78 vs 0.75, respectively), will swap timeslots with the new drama in late January. I doubt this lateral move is to benefit the ABC sophomore, but perhaps a small attempt at restrengthening Sundays. It's preceded by back-to-back episodes of the new Andy Richter-hosted game show Big Fan for two weeks. After The Great Christmas Light Fight airs on Mondays in December, The Bachelor returns to its usual timeslot before Dancing with the Stars premieres its 24th cycle in March.


8:00 - The Middle
8:30 - American Housewife
9:00 - Fresh Off the Boat
9:30 - The Real O'Neals
9:30 - Imaginary Mary (NEW - Beginning April 4)
10:00 - People Icons (NEW - Beginning March 7)
10:00 - Marvel's Agents of SHIELD

For the foreseeable future, the Tuesday lineup remains unchanged. American Housewife received a full season order for its freshman run, and The Real O'Neals received an additional 3 episodes for its second season. It ends in March to make way for Imaginary Mary, which had its episode order reduced from 13 to 9 episodes back in September, following a sneak preview on Wednesday, March 29. The network will also debut a new, limited ABC News series hosted by Lara Spencer to run during the month of March called People Icons, which is "inspired by iconic People magazine covers that have made a lasting impact on American culture." It airs four episodes while Agents of SHIELD is on a mini-hiatus; the Marvel series returns on April 4.


8:00 - The Goldbergs
8:30 - Speechless
9:00 - Modern Familiy
9:30 - black-ish
10:00 - Match Game (New Timeslot - Beginning January 4)
10:00 - Designated Survivor (Beginning March 8)

Match Game, which had a successful revival this past summer, will air in Designated Survivor's timeslot while the freshman drama is on winter hiatus. The comedies return the first week in January.


8:00 - Grey's Anatomy
9:00 - Scandal
10:00 - How to Get Away with Murder
10:00 - The Catch (Beginning March 9)

After The Great American Baking Show airs over the holiday season (beginning December 1), the full TGIT lineup returns on January 26 with Scandal's sixth season premiere. How to Get Away with Murder will finish its third season in February, making way for the second season of The Catch in March, sticking with the all-Shondaland theme from last spring.


8:00 - Last Man Standing
8:00 - The Toy Box (NEW - Beginning April 7)
8:30 - Dr. Ken
9:00 - Shark Tank
10:00 - 20/20

The Friday night lineup will remain unchanged through March. The Toy Box, a new reality competition series hosted by Eric Stonestreet which will search for the next great toy idea, premieres in April.


8:00 - To Tell the Truth (New Timeslot - Beginning January 1)
8:00 - Once Upon a Time (Beginning March 5)
9:00 - Time After Time (NEW - Beginning March 5)
10:00 - Conviction (New Timeslot - Beginning January 1)
10:00 - American Crime (New Timeslot - Beginning March 12)

While Once Upon a Time is on hiatus and after Secrets & Lies wraps its second season, another successful game show revival, To Tell the Truth, returns to the ABC schedule in two-hour blocks through the winter. Conviction gets a brutal burn-off treatment for its final few episodes, airing against the Golden Globes and championship football games.Once returns after the Oscars, leading into the new time travel drama Time After Time, which will have a two-hour premiere on March 5, and then the third season of American Crime.

In a special event scheduling the 8-episode miniseries When We Rise will air in two-hour blocks on subsequent nights beginning Monday, February 27 and wrapping up on Friday, March 3. Still unscheduled are new drama Still Star-Crossed, which is expected to undergo a title change and debut either in summer or next season; and new sitcom Downward Dog, which is similarly expected to premiere over the summer. The network's remake of Dirty Dancing, starring Abigail Breslin and Debra Messing, will air on the last night of the broadcast season, Wednesday, May 24.

Saturday, November 19, 2016

Midseason Schedule 2016-2017: NBC



8:00 - The New Celebrity Apprentice (Beginning January 2)
8:00 - The Voice (Beginning February 27)
10:00 - Timeless
10:00 - Taken (NEW - Beginning February 27)

While The Voice takes its typical winter break, The Celebrity Apprentice finally returns after taking a year off, and with a new host: Arnold Schwarzenegger. It will air in two-hour blocks through January and February. Timeless, which received an order for three additional episodes, will air the remainder of its first season at the same time. Taken, the new prequel series to the Liam Neeson film franchise, will assume the timeslot for the rest of the season.


8:00 - The Wall (NEW - Beginning January 3)
8:00 - The Voice (Beginning February 28)
9:00 - This Is Us
9:00 - Trial & Error (NEW - Beginning March 14)
9:00 - Great News (NEW - Beginning April 25)
10:00 - Chicago Fire

The new game show The Wall, hosted by @midnight's Chris Hardwick and produced by Lebron James, will bridge cycles of The Voice at 8:00. It will get two special airings before its official timeslot premiere: Monday, December 19 at 10:00 and Monday, January 2 at 10:00. When breakout hit This Is Us completes its first season of 18 episodes, the network will double-pump new comedies in the 9:00 hour. First up is Trial & Error, which will premiere on March 14 at 10:00 with back-to-back episodes before assuming its regular 9:00 timeslot the following week; it will air in two-episode blocks for six weeks, followed by a final airing at 10:00 on April 18. Then the Tina Fey-produced Great News takes over in late April (not a great sign for the newbie) to air back-to-back episodes at the tail-end of the season.


8:00 - Blindspot
9:00 - Law & Order: SVU
10:00 - Chicago P.D.

The Wednesday night lineup remains unchanged.


8:00 - Superstore
8:30 - The Good Place
8:30 - Powerless (NEW - Beginning February 2)
9:00 - Chicago Med
10:00 - The Blacklist
10:00 - The Blacklist: Redemption (NEW - Beginning February 23)

The fall lineup returns on January 5, upon the conclusion of NBC's contracted NFL games. The Good Place only has four episodes left to air, so the new DC comics workplace comedy Powerless pairs with Superstore beginning in February. Later in the month, the spin-of The Blacklist: Redemption takes over its parent series' timeslot for eight weeks; The Blacklist returns on April 20.


8:00 - Grimm (New Timeslot - Beginning January 6)
8:00 - First Dates (NEW - Beginning April 7)
9:00 - Emerald City (NEW - Beginning January 6)
10:00 - Dateline NBC (New Timeslot - Beginning January 6)

Grimm airs its final, shortened season an hour earlier than last season so that it may serve as a lead-in for the limited series Emerald City. Dateline NBC shifts back to 10:00 and is reduced to only one hour, down from two in the fall. Following the Grimm finale, the new Drew Barrymore-narrated documentary series First Dates begins.


8:00 - Little Big Shots (Beginning March 5)
9:00 - Chicago Justice (NEW - Beginning March 5)
10:00 - Shades of Blue (New Timeslot - Beginning March 5)

NBC has the Golden Globes on January 8, and there's a lot of specialty programming on Sundays throughout January and February (NFL, Academy Awards, etc), so their new lineup will debut the first Sunday in March. Surprisingly, it's the same one announced at upfronts in May: the return of last year's surprise hit, Little Big Shots; the premiere of the newest Chicago branch, Chicago Justice; and the new home of the Jennifer Lopez drama, Shades of Blue.

Still unscheduled are new drama Midnight, Texas; new multicam sitcom Marlon; and new alternative series First Dates, Law & Order: True Crime, and Little Big Shots: Forever Young. Returning shows still awaiting scheduling include Hollywood Game Night and The Carmichael Show.

Wednesday, November 16, 2016

Midseason Schedule 2016-2017: The CW


8:00 - Supergirl
9:00 - Jane the Virgin

Mondays remain unchanged. Supergirl dropped quite a bit from its numbers on CBS, but it's doing much better than anything else The CW has aired in the slot for years.


8:00 - The Flash
9:00 - Legends of Tomorrow (New Timeslot - Beginning January 24)
9:00 - iZombie (Beginning April 4)

With the failure of freshman No Tomorrow to capitalize on its big lead-in from The Flash, and with Supernatural doing surprisingly great numbers on Thursday, Legends of Tomorrow shifts to the Tuesday line-up to finish out its second season. It is replaced by iZombie in April, moving into the same timeslot it occupied last year. It will receive a two-hour premiere on April 4.


8:00 - Arrow
9:00 - The 100 (New Timeslot - Beginning February 1)

Frequency finishes its first season, which, like No Tomorrow, didn't do very well, to make room for The 100. The sci-fi show aired its first two seasons in this slot before shifting to Thursdays last year; it returns home in February.


8:00 - Supernatural (New Timeslot - Beginning January 26)
9:00 - Riverdale (NEW - Beginning January 26)

Proving itself to once again be the network's ultimate utility player, Supernatural moves up an hour on Thursdays to lead into the only new show on The CW's midseason schedule, the Archie comics update Riverdale.


8:00 - The Vampire Diaries
8:00 - The Originals (New Timeslot - Beginning March 17)
9:00 - Reign (New Timeslot - Beginning February 10)

The Vampire Diaries rides off into the sunset in March, and its spin-off assumes the time period thereafter. Crazy Ex-Girlfriend will wrap its abbreviated second season in early February before being replaced by the fourth and final season of Reign, which moves back an hour from where it aired last season.

Like last year, the network's line-up is relatively stable. The move for Legends of Tomorrow does confuse me a bit, as The Flash is the biggest lead-in The CW could provide for its sole new show, Riverdale, but it's being put on Thursdays instead. I suppose No Tomorrow proved that a big lead-in doesn't always mean anything, but I think it would have also been smart to try iZombie somewhere else on the schedule, to see if its capable of standing on its own. Expectations for Riverdale, however, will likely be lower after Supernatural than if it had aired after The Flash, so maybe it's a good thing.

Also, decisions about the futures of No Tomorrow and Frequency have not been made, beyond the network declining to order additional episodes for their respective first seasons; second season orders will depend on the midseason results for the rest of the network's line-up.

Saturday, November 5, 2016

Midseason Schedule 2016-2017: Fox



8:00 - 24: Legacy (NEW - Beginning February 6)
8:00 - Gotham (Beginning April 24)
9:00 - APB (NEW - Beginning February 6)
9:00 - Lucifer (Beginning May 1)

Gotham and Lucifer both have full-season orders, but they go on extended hiatus following their January 30th airings. 24: Legacy will get a special premiere after the Super Bowl on February 5, with the series continuing with a new episode the following night leading into the premiere of APB. Both new shows end their runs in April, when Gotham and Lucifer return; their seasons will extend into the summer.


8:00 - New Girl (Beginning January 3)
8:00 - Brooklyn Nine-Nine (New Timeslot - Beginning April 11)
8:30 - The Mick (NEW - Beginning January 3)
9:00 - Bones (New Timeslot - Beginning January 3)
9:00 - Prison Break (NEW - Beginning April 4)

The Mick will premiere on New Year's Day following a football double header, with its timeslot premiere following on Tuesday. Also on New Year's Day, Brooklyn Nine-Nine will air a one-hour winter finale before going on hiatus, and it will return to replace New Girl in April. Bones joins the night for its final, 12-episode season before the reboot/extension of Prison Break makes its long-delayed premiere on April 4.


8:00 - Lethal Weapon (Beginning January 4)
8:00 - Shots Fired (NEW - Beginning March 22)
9:00 - Star (NEW - Beginning January 4)
9:00 - Empire (Beginning March 22)

Lethal Weapon was the only Fox freshman to receive a back order, and it will have to fly without the halo effect of airing before Empire beginning in January. Star will air its first episode on December 14, after the Empire fall finale, before assuming the 9:00 slot for the rest of its run. Both shows end their runs on March 15, with Empire returning the following week and Shots Fired premiering alongside it.


8:00 - Hell's Kitchen (New Timeslot - Beginning January 5)
8:00 - Masterchef Junior (New Timeslot - Beginning February 9)
9:00 - My Kitchen Rules (NEW - Beginning January 12)
9:00 - Kicking & Screaming (NEW - Beginning March 9)

After a rocky go of it this fall, Fox will abandon scripted programming on Thursday nights. The new competition cooking series My Kitchen Rules will replace struggling drama Pitch, which airs its season finale on December 8, in January. Hell's Kitchen moves from Fridays to Thursdays to finish its season, followed by the season premiere of Masterchef Junior in early February. Once Kitchen finishes its run, it's replaced by yet another new reality series, Kicking & Screaming.


8:00 - Rosewood (New Timeslot - Beginning January 6)
9:00 - Sleepy Hollow (Beginning January 6)

After completely collapsing on Thursdays without Empire to prop it up, Rosewood gets banished to Fridays in a time swap with Hell's Kitchen. It will lead into the new season of Sleepy Hollow, which replaces The Exorcist following its season finale on December 16.


7:30 - Bob's Burgers (Beginning March 5)
8:00 - The Simpsons
8:30 - Son of Zorn
8:30 - Making History (NEW - Beginning March 5)
9:00 - Family Guy
9:30 - Bob's Burgers (New Timeslot - Beginning January 8)
9:30 - The Last Man on Earth (Beginning March 5)

The Sunday night lineup will be slightly tweaked for a few weeks as Bob's Burgers moves behind Family Guys through February 19, which is also when Son of Zorn's season finale airs. New comedy Making History will assume the empty timeslot on March 5, with Bob's Burgers moving back to 7:30 and The Last Man on Earth returning to finish its third season the same night.

Thursday, October 27, 2016

State of the Union: Fall 2016


Full Season Ordered: American Housewife, Designated Survivor, Speechless

Canceled: Notorious*

No Further Episodes Ordered: Conviction*

*The episode order for Notorious was cut from 13 to 10 episodes, effectively canceling the series, though all episodes are scheduled to air. Conviction will not receive further episodes, effectively canceling it, but ABC plans to air all 13 that were produced.


Full Season Ordered: Bull, The Great Indoors, Kevin Can Wait, MacGyver, Man with a Plan*

No Further Episodes Ordered: Pure Genius*

*Both The Great Indoors and Man with a Plan received 6 additional episodes, for first-season runs of 19 episodes. Pure Genius will end its first season at 13 episodes, effectively canceling it.

The CW

No Further Episodes Ordered: Frequency, No Tomorrow


Full Season Ordered: Lethal Weapon

No Further Episodes Ordered: The Exorcist, Pitch

*Son of Zorn was designed to be 13 episodes only, due to the lengthy production process of its animated/live-action hybrid format.


Full Season Ordered: This Is Us, Timeless*

*Timeless received an order for an additional 3 episodes, bringing its first season to 16 episodes. This Is Us's first season will have a total of 18 episodes. The first season of The Good Place was designed (per actor contracts) to be only 13 episodes.

Tuesday, October 11, 2016

Pilot Reviews: No Tomorrow & Frequency

Back in May, The CW had very few changes to make to its primetime schedule. Their roster of shows is steady in the ratings, with The Flash often out-rating the Big Four, and even their lesser-viewed shows were huge critical successes; Crazy Ex-Girlfriend, for example, became the network's second show in a row to pick up the Golden Globe for Lead Actress in a Comedy Series and then won a pair of Emmys last month for its editing and choreography, the first for any show on The CW. With the acquisition of Supergirl from sister network CBS, The CW had very few holes to plug. But not ones to rest on their laurels, the net has debuted two new shows this fall: the apocalyptic romantic comedy No Tomorrow and time-travel cop drama Frequency, neither of which, unfortunately, come close to Crazy Ex-Girlfriend, Jane the Virgin, or the DC shows.

Tuesday, October 4, 2016

Pilot Review: Conviction

Conviction (Mondays at 10:00 on ABC)

As I was watching the premiere of Conviction last night, there was one nagging question I couldn't get out of my head. No, it wasn't the question of who committed the crime on screen, or if the convicted murderer was truly guilty. The question I couldn't stop thinking about was how a show with a cast full of such likable actors could be such a chore to sit through.

Tuesday, September 27, 2016

Pilot Review: Lethal Weapon & The Exorcist

Fox had two small-screen takes on big-screen hits debut this past week, continuing a trend on television we've seen for the past few years (following Limitless, Damien, Bates Motel, Fargo, Minority Report, and a slew of others). Lethal Weapon and The Exorcist each demonstrate the weaknesses and strengths that can be found in mining films for television gold.

Friday, September 23, 2016

Pilot Review: Pitch

Pitch (Thursdays at 9:00 on Fox)

As much as I dislike sports, particularly baseball, I realized halfway through watching the pilot of Fox's Pitch that many of my favorite movies revolve around sports... particularly baseball. I adore Field of Dreams, Fever Pitch, and Bull Durham, and I can quote every single solitary line in A League of Their Own. So acknowledging my affinity for baseball dramas, I actually liked Pitch more than I thought I would when Fox added it to the fall schedule.

Thursday, September 22, 2016

Pilot Review: Bull

Bull (Tuesdays at 9:00 on CBS)

You have to love when a show announces its own quality right in the title. Bull is full of itself, in all senses of the phrase.

Wednesday, September 21, 2016

Pilot Review: Speechless

Speechless (Wednesdays at 8:30 on ABC; Premieres September 21)

Speechless is the type of show where you are immediately going to have an opinion about it before you know anything more than its logline: "A disabled teenager and his family move into a new neighborhood so he can attend a better school." You'll either think this is a show missing from the television landscape, portraying the struggles of disabled people and those supporting them. Or you'll think it's an eye-rolling downer made to appease the PC police. Either way, Speechless is here to prove you wrong.

Tuesday, September 20, 2016

Pilot Review: The Good Place

The Good Place (Thursdays at 8:30 on NBC)

NBC has really had a rough go of it in the comedy department of late. With the end of Parks & Recreation in the 2014-2015 season, they were left with only one returning sitcom last year, the low-rated Undateable. It was moved to Friday nights for live episodes, paired with the only new comedy NBC premiered in the fall, the swiftly canceled Truth Be Told. The winter months followed with the premieres of Superstore, a surprise success, and Telenovela, a surprising failure. Now NBC finds itself in much the same situation, with only Superstore returning to the fall schedule from last season and The Good Place being the only new comedy coming before midseason. It should help that the latter is a huge step up in quality from Truth Be Told, and its quirky, witty characters should match well with the ones on Superstore.

Monday, September 19, 2016

Pilot Review: Kevin Can Wait

Kevin Can Wait (Mondays at 8:30 on CBS)

For some reason, Kevin James is one of the most popular comics in America. His stand-up sells out venues across the country; his films, which consist almost entirely of goofy family fare like Paul Blart: Mall Cop, rake in piles of money, even when critics rip them apart; and his former CBS sitcom The King of Queens ran for 9 seasons and still airs daily in syndication on multiple networks. He's our favorite, safe comedian: an unassuming, overweight New Yorker who doesn't rely on vulgarity to create humor. He also has a tendency to produce some awfully stupid material, and Kevin Can Wait is the latest.

Sunday, September 18, 2016

2016 Emmy Predictions

Rarely do the Emmys make any sense to me, but I'm throwing out my predictions for the winners anyway!

Limited Series and Television Movie

Writing: Scott Alexander & Larry Karaszewski, The People v. OJ Simpson ("From the Ashes of Tragedy")
Directing: Ryan Murphy, The People v. OJ Simpson ("From the Ashes of Tragedy")
Supporting Actress: Jean Smart, Fargo
Supporting Actor: Sterling K. Brown, The People v. OJ Simpson
Lead Actress: Sarah Paulson, The People v. OJ Simpson
Lead Actor: Bryan Cranston, All the Way
Television Movie: All the Way
Limited Series: The People v. OJ Simpson

I feel like this is where the most competition is. So many TV films and limited series were among the best things on television this season: The People v. OJ Simpson, Fargo, Confirmation, The Night Manager, All the Way. It was an amazing year. A lot of these categories are nail-biters. I think People v. OJ walks away with the top prize. In the acting categories, I think it's a horserace between Bryan Cranston as LBJ (a role for which he already won a Tony), an actor who the Academy loves, and Courtney B. Vance as Johnnie Cochran. Actress is similarly close, with Paulson getting the edge over the magnificent Kirsten Dunst, who absolutely stole Fargo's second season away from everyone else on screen. A win for Kerry Washington or either woman from American Crime wouldn't suck either... basically anyone could win that category, and it would be a great choice. I think Fargo may get a trophy still for Jean Smart, though Melissa Leo, Olivia Colman, and last year's surprise winner Regina King are all equally just choices. Sterling K. Brown, David Schwimmer, and John Travolta may cancel each other out in supporting actor, but I think Brown stood out enough among his cast mates to lead the category. People v. OJ dominated the writing and directing categories (and the limited series categories, in general), so it's a safe bet it'll win there, though the question becomes for which episodes; I went with the season premiere in both cases.


Writing: Aziz Ansari & Alan Yang, Master of None ("Parents")
Directing: Dave Stern, Veep ("Mother")
Supporting Actress: Allison Janney, Mom
Supporting Actor: Tituss Burgess, Unbreakable Kimmy Schmidt
Lead Actress: Julia Louis-Dreyfus, Veep
Lead Actor: Jeffrey Tambor, Transparent
Comedy Series: Veep

This looks like it may be a lot of repeats from last year. I'm predicting Veep to take home the top prize, with Dreyfus winning yet again as well; don't be surprised if the episode "Mother" walks away with directing and writing awards as well, though I've predicted Aziz Ansari's Netflix series Master of None to take the latter, since many cite its writing as the show's strongest point. Allison Janney and Jeffrey Tambor will likely repeat their wins from last year as well, and maybe even Tony Hale in supporting actor too. For now, I'm hoping for a course-correction win for Tituss Burgess, though it's a tight race between those two and comedy vet Louie Anderson for playing the mother of a clown (you read that right) on FX's Baskets.


Writing: Sam Esmail, Mr. Robot ("")
Directing: Miguel Sapochnik, Game of Thrones ("Battle of the Bastards")
Supporting Actress: Lena Headey, Game of Thrones
Supporting Actor: Kit Harington, Game of Thrones
Lead Actress: Keri Russell, The Americans
Lead Actor: Rami Malek, Mr. Robot
Drama Series: Game of Thrones

I think we may be looking at a near-sweep for Game of Thrones, which is the clear frontrunner for best series after securing more nominations than any other show. The only non-conservative prediction I've made here is for Keri Russell to win a statue for her work on The Americans, which has never been nominated before and broke through in a big way with some major nominations this year. Russell seems like the most likely of those nominations to win, though she'll have to upset last year's winner, Viola Davis, who is probably the frontrunner right now. Otherwise, Rami Malek looks poised to take the award for lead actor, likely shutting Kevin Spacey out once again, though a win for Spacey or even Robin Wright wouldn't be a total surprise. Game of Thrones may clean house in supporting categories as well, and I'm also predicting it for directing and wouldn't be shocked if it took writing, too, but Esmail's script for Mr. Robot was more unique and current.

The Emmys air Sunday night, September 18, on ABC.

Monday, September 12, 2016

Pilot Review: Son of Zorn

Son of Zorn (Sundays at 8:30 on Fox, beginning September 25)

Smell that? It's the beginning of the fall season. That mixture of hope and excitement and dread is beginning to fill the air as we wait in anticipation to see what the networks have in store for us this season. For the first time in many years, there are no new comic book adaptations or superhero shows on the fall schedule; but Fox has given us something comic book-adjacent with Son of Zorn, a half-animated, half-live action series about a He-Man looking cartoon character who leaves his animated island to reconnect with the live action world of his ex-wife and teenage son.

Yeah, that other thing you smell? That waft of dank, fecal unpleasantness? It's this show.

Thursday, May 19, 2016

2016 Fall Schedule: The CW


8:00 - Supergirl
9:00 - Jane the Virgin

Even after switching networks, Supergirl remains at the same time, creating a female-centric evening of programming for the The CW next to its critical darling, Jane the Virgin.


8:00 - The Flash
9:00 - No Tomorrow (NEW)

This pairing is very odd; it's something new for the network to try, after premiering new genre/thriller shows after The Flash for the past couple of years. But a romantic comedy? I don't know how much audience overlap there will be here.


8:00 - Arrow
9:00 - Frequency (NEW)

What surprises me here is not that Frequency is following Arrow, it's that Riverdale was left off the fall schedule in favor of it.


8:00 - DC's Legends of Tomorrow
9:00 - Supernatural (New Timeslot)

Thursday is the only night the CW hasn't aired Supernatural, and it's their ultimate utility player, so I expected this move. If Legends of Tomorrow weren't ready for fall, I actually would have anticipated Supernatural airing at 8:00 and leading in to something else, perhaps iZombie, which would be a nice fit for it. But Legends' second season will be ready for a fall launch, and we'll see how it does against football.


8:00 - The Vampire Diaries
9:00 - Crazy Ex-Girlfriend (New Timeslot)

The Vampire Diaries has strengthened Fridays for The CW, so it stays put, but companion The Originals is benched until midseason to make way for the low-rated but beloved Crazy Ex-Girlfriend. If it can maintain its extremely modest Monday night ratings on Friday, I think the move will be considered a success. I also expect it to produce a shortened season, since the network has so many dramas waiting on deck.


Several returning dramas will rejoin the lineup at midseason: fourth seasons of The 100, The Originals, and Reign, and the third season of iZombie. One new drama will also premiere, the Archie comics update, Riverdale.

There's not much to say here. For the most part, it's a very basic formula of superhero + something else. The biggest winner here is probably Jane the Virgin, which should benefit from the Supergirl lead-in, even if the former CBS show only carries over half its audience to The CW. I'm surprised the network is rushing a second season of Legends of Tomorrow onto the fall schedule, and that Riverdale was the only show held until midseason. It seems a natural fit with Arrow or The Flash, and it still feasibly could be, and it was the best-received pilot the network had this season. (Side note: with Riverdale and the move of Supergirl, Greg Berlanti is now producer of a third of the CW's total output.) But what's here is hard to complain about. It's a solid, stable schedule. And if any or all of the new series are hits, I can't wait to see what The CW does this time next year in deciding what shows to let go.

Read descriptions of The CW's new shows after the jump.

Wednesday, May 18, 2016

2016 Fall Schedule: CBS


8:00 - The Big Bang Theory (New Timeslot)
8:30 - Kevin Can Wait (NEW)

8:00 - Kevin Can Wait (Beginning in October)
8:30 - Man with a Plan (NEW - Beginning in October)
9:00 - 2 Broke Girls (New Timeslot)
9:30 - The Odd Couple (New Timeslot)
10:00 - Scorpion (New Timeslot)

That's a lot of moving. Big Bang once again leads off the night while Thursday Night Football occupies its regular time period, leading into the new Kevin James vehicle (which likely doesn't need the boost, so it makes sense to have it lead at 8:00 in October). I think it's a stupid waste of easy promotion to break up Man with a Plan and The Odd Couple, since both feature former Friends stars in leading roles, but that's just me; at least they're airing on the same night. Also, if you read the descriptions below, Kevin Can Wait and Man with a Plan sound like essentially the same show.


8:00 - NCIS
9:00 - Bull (NEW)
10:00 - NCIS: New Orleans (New Timeslot)

This makes sense to me as well, seeing as Michael Weatherley is coming off 14 years on NCIS to do Bull, so he'll have the benefit of his old gig leading into his new one. Plus, New Orleans has now had two years to build a fanbase behind the mothership, so it's sink-or-swim time.


8:00 - Survivor
9:00 - Criminal Minds
10:00 - Code Black

I'm really surprised that Code Black made the cut and Limitless did not, especially since CBS ordered another medical drama and will air it on Thursday at 10:00... do they need two hospital shows on consecutive nights?


8:00 - Thursday Night Football (September 15-October 20)

8:00 - The Big Bang Theory (Beginning Oct 27)
8:30 - The Great Indoors (NEW - Beginning Oct 27)
9:00 - Mom (Beginning Oct 27)
9:30 - Life in Pieces (New Timeslot - Beginning Oct 27)
10:00 - Pure Genius (NEW - Beginning Oct 27)

I like this assortment of comedies. Mom continues to be CBS's bravest, most adult comedy, and I think it'll work, tonally, with Life in Pieces. I don't know what to  make of Pure Genius (which is a terrible title that makes me think of the 80s Val Kilmer movie, Real Genius), but Elementary wasn't cutting it in the timeslot (and obviously neither was the canceled Rush Hour). I'm interested to see how CBS does launching a new drama there in the fall.


8:00 - MacGyver (NEW)
9:00 - Hawaii Five-0
10:00 - Blue Bloods

The Amazing Race will seemingly only get one cycle this season, as it's left off the fall schedule in favor of the rebooted MacGyver, which will be a perfect fit for the Friday night lineup, next to the rebooted Hawaii Five-0. I'm surprised it made the fall schedule, though, since the show will need to be heavily rewritten, reshot and recast.


7:00 - 60 Minutes
8:00 - NCIS: Los Angeles (New Timeslot)
9:00 - Madam Secretary (New Timeslot)
10:00 - Elementary

Moving NCIS: LA to such an early timeslot is a bit of a head-scratcher. Sundays are basically a wash in the fall months because of frequent football overruns, so it doesn't show much confidence from CBS to put it there. This is typically where CBS shows go to fade away (CSI, CSI: Cyber, The Good Wife, The Mentalist, etc), so both NCIS: LA and Elementary are likely on their last legs, unless they can pull out some surprises.


CBS has two more dramas readying for midseason, Doubt and Training Day, as well as a new reality series, Hunted. They will be joined by returning shows Criminal Minds: Beyond Borders, The Amazing Race, and Undercover Boss. Interestingly, CBS has no comedies, new or returning, set for midseason.

There's a lot of wonkiness here, thanks in part to CBS again airing Thursday Night Football. That pushes their Thursday night lineup back about a month later than the rest of their premieres, and it makes their Monday night schedule go haywire since they constantly move The Big Bang Theory around to get the most out of its high ratings. So it'll lead into one comedy in September before moving and leading into another comedy in October. In this case, I think it's unnecessary. Kevin James is a big enough name to launch his own show right off the bat, without help from Big Bang. There are also other moves that just didn't need to be made; why move 2 Broke Girls yet again back to Mondays when it could have stayed on Thursdays after Mom, with Life in Pieces moving into the Monday night block? Another confusing thing, to me, is the fact that both Wednesday and Thursday nights will have medical dramas airing at 10:00. Like I said before, I'm really shocked Code Black even got a second season, when renewing something like Limitless at least would have given the schedule some more variety.

I don't expect MacGyver to light it up at 8:00 on Fridays, but considering its target demographic is likely outside the desirable 18-49 age group, it should do well enough. It fits with Hawaii Five-0, and The Amazing Race hasn't been doing so well lately, so it's definitely time to start looking for a replacement. But the last time CBS launched a new drama on Friday night was 2012, and that show, Made in Jersey, was canceled after just two episodes. Sunday nights will be interesting to watch as well with two veteran dramas fighting to be seen in the fall; Sunday night ratings are typically disastrous for CBS, so it'll be fun to see if NCIS: LA's audience will try to keep up with it.

Read descriptions of CBS's new shows after the jump.

Tuesday, May 17, 2016

2016 Fall Schedule: ABC


8:00 - Dancing with the Stars
10:00 - Conviction (NEW)

With Castle gone after eight seasons, the Monday 10:00 timeslot is finally open, and ABC will be using it to launch a new procedural.


8:00 - The Middle (New Timeslot)
8:30 - American Housewife (NEW)
9:00 - Fresh Off the Boat (New Timeslot)
9:30 - The Real O'Neals (New Timeslot)
10:00 - Marvel's Agents of SHIELD (New Timeslot)

This is exciting to me for two reasons: one, I've been hoping for The Middle to move to Tuesdays to start a new comedy hour for two years now; and two, this lineup looks really strong. ABC clearly has a lot of faith in Fresh Off the Boat, pushing it to anchor the night at 9:00, and having an established name at 10:00 like Marvel will likely allow the network to focus elsewhere for the seasons, rather than throwing a bunch of freshmen dramas in the timeslot and watching them burn.


8:00 - The Goldbergs (New Timeslot)
8:30 - Speechless (NEW)
9:00 - Modern Family
9:30 - black-ish
10:00 - Designated Survivor (NEW)

The Goldbergs has proven itself in its 8:30 timeslot, often growing out of its lead-in, so it becomes the new 8:00 lead-off. I expected Fresh Off the Boat to join the Wednesday night lineup, but Speechless seems like a good fit with its "quirky family" premise, much like every other show in the mix. And the 10:00 slot goes to an action show now that Nashville is gone. It's been more than five years since ABC tried anything but a soap at that time, so we'll see how that goes.


8:00 - Grey's Anatomy
9:00 - Notorious (NEW)
10:00 - How to Get Away with Murder

On the heels of Kerry Washington's pregnancy announcement, Scandal is being held for midseason, making way for newbie Notorious. I think it probably would have been better to try The Catch there, just to see if it could perform better in the fall, but Notorious looks like the kind of guilty pleasure stuff that can fit into TGIT.


8:00 - Last Man Standing
8:30 - Dr. Ken
9:00 - Shark Tank
10:00 - 20/20

For the first time since it moved to Fridays in 2012, Last Man Standing will be paired with the same show for a second season: Dr. Ken. The rest of the night remains unchanged as well.


8:00 - Once Upon a Time
9:00 - Secrets & Lies
10:00 - Quantico

The second season of Secrets & Lies was originally ordered for this past season, but it was held over to give it a better chance of success (otherwise, ABC could have easily shoved it in the Tuesday 10:00 slot following the swift cancellation of Of Kings & Prophets). It'll air where the first season was in spring of 2015. Once Upon a Time and Quantico stay where they are.


Coming up at midseason, ABC has two other new comedies (Imaginary Mary and Downward Dog) and three new dramas (miniseries When We Rise, Shondaland production Still Star-Crossed, and Time After Time, which is tentatively scheduled for Sundays at 9:00), plus the returns of American Crime, Scandal, and The Catch. They also have the three-hour telefilm remake of Dirty Dancing on tap, as well as a new special from magician David Blaine.

This is the first schedule of the season that I have not had an adverse reaction to. The Tuesday comedy expansion makes sense, considering ABC has had more success launching comedies than they have launching dramas. Moving The Middle to lead-off the night is the smartest choice; The Goldbergs could have done the job as well, but that show is really flourishing on Wednesdays, more than enough for it to take the lead-off position now. Scandal suffered this past season in terms of ratings and reception, so perhaps holding it until midseason will give the creators a chance to focus the story (having a 16 episode order, rather than 22, should help things) and the fans/critics a chance to breathe. I think Conviction is the best choice to take the late slot on Monday; it's on-target with ABC's typical demographic, and they have no other procedurals on the air, so it fills a niche. The only slightly questionable move is putting Designated Survivor on Wednesdays at 10:00, since a violent action-thriller doesn't really go with the comedy block before it. But that was always a difficult slot for them to fill prior to Revenge's success in 2011, so maybe taking the risk on Designated Survivor will pay off in the same way. Everything else is relatively stable for the network. Sundays will probably need a makeover this time next year, with Once Upon a Time continuing to slide in the ratings and Quantico basically rebootng itself in season two with no sign of how that will be received, but for now it's good enough.

Read descriptions of ABC's new series after the jump.

Monday, May 16, 2016

2016 Fall Schedule: Fox


Just days after announcing its fall plans, Fox has issued some changes to its schedule: baseball drama Pitch will now air in the fall on Thursdays, bumping back Bones to January and moving the reboot of Prison Break to Tuesday nights.


8:00 - Gotham
9:00 - Lucifer

Fox keeps its Monday night spring lineup in tact, which may not be the worst idea considering how poorly Minority Report did last fall. Lucifer hasn't exactly lit the airwaves on fire this spring, so it'll be interesting to see how it holds up against bigger competition, like Monday Night Football.


8:00 - Brooklyn Nine-Nine (New Timeslot)
8:30 - New Girl (New Timeslot)
9:00 - Scream Queens

This is the first time Brooklyn Nine-Nine, in yet another timeslot shift after being bounced out of the Sunday lineup this season, and New Girl have been paired together in over two years, and it went relatively well last time. I'm still shocked that Scream Queens managed a second season after the abysmal ratings and critical reception it received.


8:00 - Lethal Weapon (NEW)
9:00 - Empire

This pairing is jarring to me. When you have another music series ordered by the same man who created Empire, why would you not put it with Empire? Lethal Weapon doesn't really feel like a natural fit for the hip hop soap.


8:00 - Rosewood (New Timeslot)
9:00 - Pitch (NEW)

Pitch probably won't get much help from its lead-in, but airing at the same time as the World Series should provide some strong cross-marketing opportunities. Both shows do have African American leads, so perhaps they can attract some overlap in audiences.


8:00 - Hell's Kitchen (New Timeslot)
9:00 - The Exorcist (NEW)

Again, this doesn't make much sense to me. Why debut a new genre series on Friday, when you could have shifted an existing genre show (Lucifer, Scream Queens) here and put The Exorcist in a higher-profile timeslot? Expectations will be lower, sure, but when was the last time Fox successfully launched a Friday night drama? (The last show Fox premiered and aired entirely on Friday and then renewed for a second season was Dollhouse in 2009, and that wasn't really a success at all, with its second season being burned off quickly in 2010. Prior to that, the last Friday-night success was The X-Files, way back in 1993.)


7:30 - The OT / Bob's Burgers (New Timeslot)
8:00 - The Simpsons
8:30 - Son of Zorn (NEW)
9:00 - Family Guy
9:30 - The Last Man on Earth

Bob's Burgers gets shafted once again in favor of a new series, this time the animated/live-action hybrid Son of Zorn, which looks weird and quirky enough that it may work with The Simpsons.


Fox released an entire tentative midseason schedule. Which includes a hell of a lot of "bridging," which we've seen frequently from ABC. Monday nights, for example, will consist of two new dramas, 24: Legacy at 8:00 (following a premiere after the Super Bowl) and A.P.B. at 9:00, while both Gotham and Lucifer are on an extended break between the fall and spring halves of their seasons. On Tuesdsays, Brooklyn Nine-Nine and New Girl will temporarily share 8:00 to lead-in to new comedy The Mick at 8:30. New reality series Kicking & Screaming takes over at 9:00 when Scream Queens ends, followed by the reboot of Prison Break. Limited series Shots Fired goes to Wedensdays at 8:00 when Empire returns with the back-half of its third season; prior to that, Lee Daniels' new music series Star airs at 9:00, paired with the remaining episodes of Lethal Weapon. Bones finishes its 12-episode order on Thursdays at 9:00, with Rosewood staying at 8:00. Masterchef Junior returns to Fridays at 8:00, while Sleepy Hollow's fourth season moves back an hour to Fridays at 9:00. The Sunday lineup for midseason remains the same, except Son of Zorn vacates the 8:30 slot to make way for another new comedy, Making History. Also slated for midseason but without any announced plans is a new cooking show, My Kitchen Rules. In October, Fox will also air the film remake of The Rocky Horror Picture Show.

The midseason schedule is hugely ambitious, with the majority of Fox's new shows premiering then. Mondays will be completely new for a time, and that's got to be scary for them, because, despite some name recognition for 24: Legacy, there's no guarantee people will want to come back and watch a whole new show only somewhat-related to the original.

There are also a bunch of missed opportunities here, like pairing Lucifer and Sleepy Hollow on Fridays (taking pressure off the former and possibly giving a boost to the latter, not to mention freeing up a timeslot so a new drama wouldn't have to premiere on Fridays). Star and Empire seem tailor-made for each other, but they're not paired together, either. For a lot of these shows, it feels like Fox is betting a lot on names and hoping that they're enough to get eyes on television sets: Lethal Weapon, Prison Break, The Exorcist, and 24: Legacy are all recognizable titles (and Star is from a recognizable name in Lee Daniels), but this past season proved that doesn't always matter to audiences. Minority Report and Rush Hour both bombed this past season, yet Fox (and other networks) are betting hard that popular films will somehow equate to popular television shows. The Heroes sequel didn't do too well on NBC, but Fox used the same idea to resurrect one of their hits from the same time in Prison Break. It's all very confusing to me, but I suppose Fox is just trying to find something, anything that will stick in its first season post-American Idol, when they have 40+ hours of additional programming to create.

Read descriptions of Fox's new shows after the jump.

Sunday, May 15, 2016

2016 Fall Schedule: NBC


8:00 - The Voice
10:00 - Timeless (NEW)

As always, NBC has given its biggest lead-in to a new drama, this time the time-traveling thriller Timeless. It bumps Blindspot to Wednesdays at 8:00, much like The Blacklist did to Revolution a few years back... and that didn't end well for Revolution, which was canceled at the end of its second season.


8:00 - The Voice
9:00 - This Is Us (NEW)
10:00 - Chicago Fire

Chicago Med moves out of its freshman timeslot to make room for This Is Us, while the rest of the lineup remains the same.


8:00 - Blindspot (New Timeslot)
9:00 - Law & Order: SVU
10:00 - Chicago P.D.

Blindspot, despite its darkness and violence, moves into the 8:00 hour to lead-in to the other two usual Wednesday night suspects. This is the oddest choice NBC made, I think, when they had other options (Thursdays at 9:00 or 10:00, Tuesdays at 9:00) for Blindspot's move.


8:00 - Superstore (New Timeslot)
8:30 - The Good Place (NEW)
9:00 - Chicago Med (New Timeslot)
10:00 - The Blacklist (New Timeslot)

The NBC Thursday comedy block is back after taking a year off, this time with sophomore Superstore leading off the night (but never having to go head-to-head with its biggest competition, The Big Bang Theory, because of Thursday Night Football), paired with The Good Place. Chicago Med follows in a new hour, and The Blacklist gets pushed back to where it always should have been at 10:00.


8:00 - Caught on Camera with Nick Cannon
9:00 - Grimm
10:00 - Dateline

There are no changes, surprisingly, to the Friday night lineup. Grimm's order has been confirmed for only 13 episodes, though the option remains open for more. But NBC is actively seeking a genre replacement for the aging series, with Emerald City and Midnight, Texas cited by Chairman Bob Greenblatt as potentials.


Football Night in America


Preliminary Sunday night plans at midseason include the return of Little Big Shots; the newest branch of the Chicago-set franchise, Chicago Justice; and the second season of the Jennifer Lopez-led Shades of Blue. NBC has four other new dramas coming at midseason (The Blacklist: Redemption, Emerald City, Taken, and Midnight, Texas) and four new comedies (Great News, Marlon, Powerless, and Trial & Error), plus the third season of The Carmichael Show. Other shows returning at midseason include Hollywood Game Night and The New Celebrity Apprentice. They will join new alternative series The Wall and First Dates. In addition, NBC announced last week the second in its collaborations with Dolly Parton, a sequel to last year's successful Coat of Many Colors, this one titled Christmas of Many Colors: Circle of Love. This December's annual live musical will be Hairspray Live!, joined by a new event: a live drama, a production of Aaron Sorkin's play A Few Good Men.

With so many new shows on tap, it's clear NBC is trying to get back in the game. But they're all being held for midseason. NBC has seven new dramas ordered for the upcoming season, but only two made the fall schedule. Of course, Sunday nights will become available in the spring once football ends, but NBC hasn't really had much luck launching scripted programming on that night. I expected, at least, a new series to be airing at 8:00 on Friday. But perhaps some of these new dramas are being developed as limited series, which would open up more time (and they do have three more hours a week to play with in January and February when The Voice is on hiatus), but this is a relatively disappointing schedule. There are some interesting things happening with the shows NBC has ordered, but the fall schedule just reflects how rote they are. There are no really big moves here. Sure, shifting The Blacklist back an hour makes sense, and it probably should have been done a year or more ago. Sure, debuting a new show after The Voice on Mondays makes sense, but they do it every year and the show that ends up suffering is the sophomore series who has to give up their spot (see: the cancellation of Revolution, or the ratings crash of The Blacklist). Sure, cancelling The Mysteries of Laura left Wednesdays at 8:00 open, and the easiest move is just shifting Blindspot, but how well will that show really do in such an early hour? There's a lot here that makes sense, but it isn't going to turn anything around for NBC. Hopefully their new shows are strong enough to do that.

Read descriptions of the new series after the jump.

Tuesday, May 10, 2016

2016-2017 Broadcast Season: New Series Pickups


Click after the jump for log-lines of the new shows ordered to series by broadcast networks so far. Updated frequently as new information becomes available.

Wednesday, May 4, 2016

Pilot Review: Houdini & Doyle

Houdini & Doyle (Mondays at 9:00 on Fox)

Fox is getting a jump start on the summer season with the early debut of the new Canadian-British series Houdini & Doyle. Already aired in the UK, the show draws upon the real-life friendship of master illusionist Harry Houdini and prolific writer Sir Arthur Conan Doyle, of Sherlock Holmes fame, and it may have been better serviced had it simply been a retelling of their relationship. But instead we get a strange kind of supernatural period police procedural that hews far from facts and deals mostly in cliches.

Friday, April 8, 2016

2015-2016 Season: State of All Broadcast Shows

UPDATED May 14, 2017

Here is the complete list of shows which aired in the 2015-2016 season (not including summer series) on a broadcast network and their current status: renewed for next season (2016-2017), canceled, or awaiting announcement. The list will continue to be updated as new information becomes available.


Renewed: 20/20, Agents of SHIELD, America's Funniest Home Videos, American Crime, The Bachelor, black-ish, The Catch, Dancing with the Stars, Dr. Ken, Fresh Off the Boat, The Goldbergs, Grey's Anatomy, How to Get Away with Murder, Last Man Standing, The Middle, Modern Family, Once Upon a Time, Quantico, The Real O'Neals, Scandal, Shark Tank

Canceled: Agent Carter, Beyond the Tank, Blood & Oil, Castle, Galavant, The Family, The Muppets, My Diet is Better Than Yours, Nashville, Of Kings and Prophets, Wicked City


Renewed: 2 Broke Girls, 48 Hours, 60 Minutes, The Amazing Race, The Big Bang Theory, Blue Bloods, Code Black, Criminal Minds, Criminal Minds: Beyond Borders, Elementary, Hawaii Five-0, Life in Pieces, Madam Secretary, Mom, NCIS, NCIS: Los Angeles, NCIS: New Orleans, The Odd Couple, Scorpion, Survivor, Undercover Boss

Canceled: Angel from Hell, CSI: Cyber, The Good Wife, Limitless, Mike & Molly, Person of Interest, Rush Hour, Supergirl*

*Supergirl moves to the CW for season two.

The CW

Renewed: The 100, Arrow, Crazy Ex-Girlfriend, The Flash, iZombie, Jane the Virgin, Legends of Tomorrow, The Originals, Reign, Supernatural, The Vampire Diaries

Canceled: America's Next Top Model*, Beauty and the Beast, Containment

* ANTM will move to VH1 for future seasons, though without Tyra Banks as a host/judge.


Renewed: American Grit, Bob's Burgers, Bones*, Brooklyn Nine-Nine, Empire, Family Guy, Gotham, Hell's Kitchen, The Last Man on Earth, Lucifer, New Girl, Rosewood, Scream Queens, The Simpsons, Sleepy Hollow, Superhuman, The X Files

Canceled: American Idol, Bordertown, Cooper Barrett's Guide to Surviving Life, Grandfathered, The Grinder, Minority Report, Second Chance, World's Funniest Fails

* Bones has been renewed for a shortened, final season of 12 episodes.


Renewed: The Blacklist, Blindspot, The Carmichael Show, Caught on Camera with Nick Cannon, The Celebrity Apprentice, Chicago Fire, Chicago Med, Chicago PD, Dateline, Grimm, Hollywood Game Night, Law & Order: SVU, Little Big Shots, Shades of Blue, Superstore, The Voice

Canceled: Best Time Ever with Neil Patrick Harris, The Biggest Loser, Crowded, Game of Silence, Heartbeat, Heroes Reborn, The Mysteries of Laura, The Player, Strong, Telenovela, Truth Be Told, Undateable, You, Me & The Apocalypse

Thursday, March 31, 2016

Pilot Review: Rush Hour

Rush Hour (Thursdays at 10:00 on CBS)

Here we are again, folks: a few months later, and CBS has premiered yet another odd TV extension of a popular film following the moderate success of their fall launch of Limitless. Rush Hour has quite a few of the same problems as Limitless and then some, proving that just because an idea worked once doesn't mean it will work again (as if Rush Hour 3 didn't already prove that in the original film franchise). This notion can be applied to both the development of successful films into watered down television shows, as well as to remaking this particular story, which feels dated and tiresome eighteen years after the film grossed a quarter-billion dollars.

Wednesday, March 16, 2016

Pilot Review: Crowded

Crowded (Sundays at 9:30 on NBC, beginning March 20)

I'm not surprised Crowded found its way to NBC's schedule. It has all the charm and ease of a comfortable 1990s sitcom, with the simplicity common to them as well. Suzanne Martin has created a show much like her TV Land hit Hot in Cleveland that throws back to a time when comedy was mined easier, when laugh tracks were louder, and when TV didn't always tackle the difficult issues of the time. Sure, Crowded touches upon the current financial status of the country, with several educated twenty-somethings forced to move in with mom and dad once again due to lack of job opportunities, but it actually finds its comedy in situations like grown children walking in on their parents having sex, not in the complications of navigating adulthood in an unstable economy or something similar. It's hard to say if that would have made a better show than what Crowded is, but it probably wouldn't have been hard to be better than what Martin and Co. gave us.

Sunday, March 6, 2016

Pilot Review: The Family

The Family (Sundays at 9:00 on ABC)

The Family may be another soap opera for ABC to add to its roster, but they have such an impressive list because they have discovered the secret to a soap's success: good acting. The storylines for shows like Scandal and How to Get Away with Murder are absurd, over-the-top craziness (maybe not quite as ludicrous as what's on daytime soaps, but still), but they have Kerry Washington and Viola Davis anchoring the insanity, respectively. Strong performances can bring gravity to an otherwise unbelievable story, and The Family fits snugly into this formula.

Saturday, March 5, 2016

Pilot Review: Slasher

Slasher (Fridays at 9:00 on Chiller)

Until a few days ago when I first saw a commercial for the premiere of a new series called Slasher, I had no idea what Chiller was. Imagine my surprise to find out that not only is it a specialty cable channel catering to scary movie fans, but it's one I've received for years and have scrolled past countless times on my FiOS TV guide. I'm kind of glad I know of its existence now, because Slasher is an ideal addition to Friday night viewing: familiar but weird, creepy but fun, and cheaper than going to the movies to see whatever fright-night crap is being unleashed any given weekend.

Thursday, March 3, 2016

Pilot Review: The Real O'Neals

The Real O'Neals (Tuesdays at 8:30 on ABC)

What ethnic minority is left for ABC to tackle with a quirky family sitcom? We've got African Americans (black-ish), Asians (Fresh Off the Boat, Dr. Ken), and Jews (The Goldbergs) covered. The gays are represented (Modern Family), and so are the ever-relatable middle class (The Middle, Last Man Standing). Latinos had Cristela last season. Now we've got the Irish Catholics taking center stage in The Real O'Neals, and the characters' ethnicity is about the only thing separating it from any other dysfunctional family comedies currently on television.

Sunday, February 28, 2016


Things to consider when deeming the 2016 Oscars too "white."

Monday, January 25, 2016

Pilot Review: Lucifer

Lucifer (Mondays at 9:00 on Fox; Premieres January 25)

It's a good thing Lucifer has the rebooted X Files miniseries as its lead-in, because this show is going to need all the help it can get to overcome its mediocrity. It's lazy and obvious at every turn, beginning with Cage the Elephant's "Ain't No Rest for the Wicked" and a close-up of a vanity license plate reading FALLIN1. Lucifer's first introduction to the audience is through his bribery of a police officer (because he's a bad ass, you see), and everything from there on out is just as expected and unoriginal as you could possibly imagine.

Tuesday, January 12, 2016

Pilot Review: Second Chance

Second Chance (Wednesdays at 9:00 on Fox; Premieres January 13)

With a generic title like Second Chance (formerly The Frankenstein Code and Lookinglass, both of which are much better options), you know you're likely not going to get something groundbreaking. Consider the dialogue which kicks the show off (in voiceover, obviously, because every single series needs a voiceover nowadays): "What would you do with a second chance? Before you answer, let me give you some advice: second chances can be a real monster." Not exactly the most interesting way to start a pilot, and things don't get much better from there.

Friday, January 8, 2016

Pilot Review: Shades of Blue

Shades of Blue (Thursdays at 10:00 on NBC)

NBC is betting the horse on Jennifer Lopez. She's a good one to bet on, considering her ability to open terrible movies to big bucks at the box office (The Boy Next Door, most recently). But is Shades of Blue the best vehicle for the Latina superstar? Not necessarily, no.

Monday, January 4, 2016

Pilot Review: Bordertown

Bordertown (Sundays at 9:30 on Fox)

It's been five years since Fox successfully introduced a new animated comedy to its lineup, when Bob's Burgers joined the Animation Domination family. Since then, Fox has let go of two long-running animated shows (both by Bordertown executive producer Seth MacFarlane: The Cleveland Show and American Dad!) and introduced three failed newcomers (Allen Gregory, Napoleon Dynamite, and Golan the Insatiable). Bordertown is the best attempt at capturing the magic of stalwarts The Simpsons and Family Guy, but it's not as good or as clever as either of those shows.