Thursday, March 27, 2014
Surviving Jack (Thursdays at 9:30 on Fox)
We already have The Goldbergs mining the 80s for comedy over on ABC on Tuesday nights, and now we have Surviving Jack doing the same for the early 90s on Fox. The difference between the two, however, is key: Surviving Jack is funny. I don't know if it's because the 90s were "my time," and I just relate better to the humor derived from it, or if Jack is just better at using its time period, or both, but I actually found myself enjoying Fox's latest offering.
Thursday, March 20, 2014
The 100 takes place a few centuries into the future when mankind has all but decimated itself thanks to a nuclear war. The survivors take refuge in space on a contained vessel that is quickly running out of resources to sustain the last of the human race. Earth's atmosphere has been deemed unlivable for 100 years due to the dangers of radiation poisoning. But it's now been 97 years since the attacks, and with only 3-4 months of supplies remaining aboard The Ark, as the floating space colony is called, the adult leaders send 100 juvenile delinquents, all sentenced to execution on their eighteenth birthdays, to explore the possibility of returning home to Earth. It's win-win: if the planet is uninhabitable, those who were scheduled to be killed will die anyway; if it's habitable, everyone gets to live. But apparently The Lord of the Flies is no longer required reading in this future world, because we all know how this one's going to go down.
Monday, March 17, 2014
Crisis (Sundays at 10:00 on NBC)
Remember when Lost and 24 were the biggest shows on TV and then every show for two or so seasons was about people either vanishing or being kidnapped or held hostage or some crazy combination of those shows? Crisis is the latest in that vein, a 24-esque political conspiracy thriller that's coming a few years late to the party. I'm not saying it's bad, because it's not; it's not even all that reductive. It's just reminiscent enough of bigger and better things to detract from its own merits, and it takes itself a little too seriously for its own good.
Thursday, March 13, 2014
We're getting back into that time of year again! With just about two months until the 2014-2015 broadcast upfronts, some networks have already begun announcing early renewals for the upcoming season. Click below to see which shows will continue to grace your television sets (and computer screens, tablets, phones, or whatever complicated means by which you watch TV now) through next year. (Updated March 19)
Tuesday, March 11, 2014
Hopefully with the premiere of Believe out of the way, we can finally stop seeing that damn commercial of the little blonde girl screaming at a bunch of birds. That's about the most positive thing I can say about the latest from J.J. Abrams, whose name once connoted potential greatness and now just clues us in to the fact that the series will probably be a good vs. bad conspiracy thriller, and recent Oscar-winner Alfonso Cuaron. Because aside from that, Believe is about as mediocre as they come, a confusing mess of mythical imagery, unexplained plot points, and absurd action-movie dialogue.
Monday, March 10, 2014
I am one of the few who went into ABC's Resurrection knowing what to expect. I knew that this wasn't an American remake of the critically acclaimed French series Les Revenants (The Returned), but rather an adaptation of an original American novel called... The Returned. Yes, it's confusing. But I've never seen a single episode of the French series (which aired late last year in the US on the Sundance Channel), so I don't know how similar ABC's take on the returned-from-the-dead series is to it. But I have read Jason Mott's novel, and I am happy to say that Resurrection is both close to its source material and more successful than it.
Tuesday, March 4, 2014
But if the gay community at large is to be believed, Looking is something to be celebrated. Word of mouth must be positive, because the ratings have actually grown (though they're still teeny tiny), and most of the comments I've read on review sites, blogs, and Twitter praise the show's "realism" and "refreshing look at the lives of gay men without turning them into sex objects a la Queer as Folk." Personally, I don't see any of that. I just see a bunch of vapid pretty-boys with no sense of compassion or self-awareness.
Anyway, because so many people I've talked to can't seem to understand why I don't like Looking, here are three big reasons why I think it sucks.
Monday, March 3, 2014
Those Who Kill (Mondays at 10:00 on A&E; Premieres March 3)
Those Who Kill is the latest in a long line of Danish crime show remakes, this one from writer Glen Morgan, whose credits are primarily within the horror genre (The X-Files, The River, the films Final Destination and its second sequel). That would seem to work in the show's favor, since these Danish remakes tend toward a kind of psychological terror. Just look at The Killing or The Bridge. Whereas those shows each were creatively successful in their own rights, Those Who Kill just doesn't enjoy the same success, mostly because Morgan's script is a mess.
Saturday, March 1, 2014
Debuting in one of ABC's most troubled timeslots is Mind Games, one of their more pleasant dramas of the season. It's a relatively smart and energetic twist on the procedural genre with a strong cast and strong writing from Kyle Killen, who has developed something of a cult following after two well-received but poorly-rated shows (NBC's Awake and Fox's Lone Star). And despite the fact that Mind Games is enjoyable and much more accessible and widely appealing than his previous shows, it's likely to be a hat trick for Killen in the one-season-and-done club, simply because ABC doesn't know how to properly schedule and/or promote their new shows.